Comparing Themes of Lord of the Flies, The Inheritors, and Pincher Martin :: comparison compare contrast essays

Themes of Lord of the Flies, The Inheritors, and Pincher Martin A running theme in William Goldings whole caboodle is that man is bl ar at heart, always finally reverting tolerate to an evil and primitive genius. The cycle of mans rise to power, or righteousness, and his inevitable blow over from grace is an important point that Golding proves again and again in legion(predicate) of his works, often comparing man with typefaces from the Bible to give a to a greater extent vivid picture of his descent. Golding symbolizes this fall in different manners, ranging from the illustration of the expectation of actual primitive man to the reflections of a corrupt seaman in purgatory. William Goldings first book, Lord of the Flies, is the story of a group of boys of different backgrounds who be marooned on an unknown island when their plane crashes. As the boys try to educate and formulate a plan to get rescued, they begin to separate and as a result of the dissension a band o f savage tribal hunters is formed. Eventually the stranded boys in Lord of the Flies almost just shake off civilized behavior (Riley 1 119). When the confusion lastly leads to a manhunt for Ralph, the reader realizes that despite the strong sense of British character and civility that has been instilled in the youth by dint ofout their lives, the boys have backpedaled and shown the underlying savage side existent in all humans. Golding senses that institutions and order imposed from without are temporary, but mans irrationality and urge for destruction are enduring (Riley 1 119). The novel shows the reader how easy it is to revert back to the evil nature inherent in man. If a group of well- disposeed school boys can ultimately wind up committing various extreme travesties, one can speak up what adults, leaders of society, are capable of doing under the pressures of trying to maintain dry land relations. Lord of the Fliess apprehension of evil is such that it touches the nerv e of contemporary standoff as no english novel of its time has done it takes us, through symbolism, into a world of active, proliferating evil which is seen, one feels, as the natural condition of man and which is bound to remind the reader of the vilest manifestations of Nazi regression (Riley 1 120).